Showing posts with label I Am An Emotional Creature. Show all posts
Showing posts with label I Am An Emotional Creature. Show all posts

Would You Rather?

What does the game "Would You Rather?" show about girls, especially the one girl who wants to play it? (Jennifer Guarino)

“Would You Rather” has a great impact on the book, I Am An Emotional Creature, as a whole. Just alone in these three monologues, poems, or short story (which ever you prefer) Ensler puts a lot of concept, emotion and responsibility into the two main characters. Thus, giving the book a firm foundation and creating more visible threads that are more comprehensive than any other short story in this book.

“Would You Rather” shows that some girls are naive on what is happing around them while, others eyes are so open and exceptive that the world becomes too much for them. This is most easily portrayed in Girl 2 voice. She is the character that is not willing to answer the question because she wants to void out all of the unnecessary things that challenges her in life.

“Cause I am sick of having to choose between two horrible impossible things.
 Living with my mother or my father, being popular or smart, enjoying sex or being called a slut, making money or following my heart. I want different questions. I hate these choices. I hate my life.”

I love how after reading this whole book at the end Ensler creates so much passion and emotion into this character. This is the “a Ha” moment, when you finally figure out what was the sole purpose these three particular monologues.

The complexity comes in when you pay attention to the way Girl 1 voice indicated the questions. Almost as if she is immature in a sense or that through curiosity she experiences life.

“I’m sorry. I’m sorry. It was just a game.”
“Are you crying?”

This shows that she didn’t understand the impact of what she was doing and why Girl 1 was so defensive about answering the questions. Through Ensler’s language throughout the three monologues you can get a since of maturity from beginning to the end. In the first monologue Girl 1 asks very minor questions but by the time you reach the third monologue you notice she is asking very sexual and mature questions. It makes you almost wonder if Girl 2 problems came mostly in her adolescent year’s, verses Girl 1 who I believe has minor problems and faces less mature situations than Girl 2 due to the fact that Ensler writes her language in a more curious and immature way/neglectiveto society type of way. But then Ensler flips this character and makes her understand at the end; which makes me wonder was the character only making it seems as if she was naïve or as if others were dealing with the same situations that she was going through. Almost like a sense of nurture through her peers.

Girl 2
“It’s just so hard sometimes. It’s just so hard and sad.”

Girl 1
“I know. It is. I hate it.
(They both snuggle and they both cry. Then after a while they start laughing and laughing)

The laughing gives a sense of relief between the two characters as well as companionship. I feel as though Ensler should have let these three story open and close the book because they spoke to me the most. This can be openly debated because each story or monologue in the book relates to different people. Therefore this particular piece could've ment more to me than others.

A Teenage Girl's Guide To Surviving Sex Slavery

Eve Ensler hit it on the nose with this one. I like how she starts the first line:

"I live in Bukavu, Democratic Republic of the Congo, but I think this guide applies to any girl anywhere in the world."

Right from the beginning Ensler gets to the main point of not only this particular story but the whole book. Her stating that it can apply to anybody expands your horizon and allows us to interpret the story and book in any way that it best correlates to you (the reader).

I also, love the way the narrator talks in third person all the way until the end of the story. She makes it broad yet visible of how her situation happened. The only time the narrator went into first person was the beginning and the end. I feel like Ensler did this because she wants the readers to be able to fill in their own blanks in the middle. Thus, make it correlate to their situation while still understanding the narrator’s situation. She even comes up with a scenario to put yourself in:

"Imagine you are dancing. Think of your favorite song. Remember your mother braiding your hair. Feel her kindly roughly braiding hands. Hear her calling your name..."

Another thing that Ensler uses well in this story is imagery. I love her use of imagery! Out of all the short stories/monologues in the particular book I felt like this one had the most imagery. I felt like in some cases I was right there, standing next to the narrator as she was hiding in the wall or running with her baby.

"You will start to run and your legs will be strong like a strong person's legs and you will think clearer and better than you have ever thought before and you will hear your mother calling 'Marta, run run run" and you will make the bus..."

I honestly felt myself running with her. I felt myself running for my life; it was intriguing. One last thing that I loved about this story was once again like in the Vagina Monologues, Ensler's use of language and grammar. If you pay attention close enough you realize that a lot of the sentences in this particular piece had few periods. I felt like this expressed the narrator’s emotion and added on to the personal connection between the narrator and the reader. If you look at the line above that I quoted I had to add three periods because the sentence is the rest of the page. But, I felt like Ensler did that on purpose because the narrator wasn't finished running. When the narrator finally got on the boat and was sailing away is when you notice Ensler starting to slowly add punctuation. Ensler proved herself as a writer in this piece because I was honestly starting not to believe in her anymore. WAY TO GO ENSLER!!!

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